We did that with Ian Fitchuk and Daniel Tashian, who Karen wrote that with. That's what we wanted to do from the beginning to end-to be this slow, gradual build that just starts the smallest and gets so huge." Then it just becomes this overwhelming, chaotic outro. Being married or in a relationship is tough, and I think that you feel that isolation of two people in a moment when things aren't going great, but that underlying love that's there is still running. With the lyrics, the stark vocals in the front and the atmospheric kind of thing in the background, you feel solitude. "I'm proud of the dynamics we got on this song. I think this gives you a chance to kind of run through the emotions that could represent.” Here Westbrook goes through all of Nightfall track by track. It can be a time of loneliness and sorrow. “It can be romantic, which is kind of the way I feel like it starts off on the record. “Nightfall has a vibe, and it can be a lot of different things,” says Westbrook. Both the songs and the sophisticated soft-focus interplay of their voices, often featuring Fairchild singing lead, avoid loud, obvious emotional expression in favour of softer, more subtle shades of disappointment, apprehension, and longing. We thought, ‘Well, let's just go into the studio and just start working on some of these things that we feel so inspired by and just get them under our belt.’ Then we're 12 songs in and we're kind of looking at each other: ‘Hey, are we producing this record?’” Westbrook and the rest of the group-Karen Fairchild, Phillip Sweet, and Kimberly Schlapman-fleshed out arrangements with their road band and a few co-writers. "It was one of those things where we had written so much for this record and had so many great songs. “It wasn't really planned,” Jimi Westbrook tells Apple Music of his group Little Big Town producing their ninth studio album Nightfall.
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